I`ve been into this band for a while.Best slightly Death Metal doom band going! Indeed, the album certainly lives up to expectations of a steadfast Katatonia fan, especially if that fan prefers Brave Murder Day to the rest of the Katatonia catalogue. Rain Without End (1997) by October Tide. The rain was: The rain was: burbling (gurgling) into the drains. Violins and keyboards are used sparingly, enhancing the euphonious and bleak melodies that dominate the release. The dreamy ambient passage in between could have been a deal breaker but Jonas Renske and Frederik Norrman knew such things worked in moderation. Katatonia was among the early proponents of this mode of invoking the spirit of misery, and though there is some dispute as to whether their success in shaping the early stages of death/doom's development was more because of Jonas Renkse's contributions or that of Anders Nyström, the existence of October Tide's extremely well-crafted debut would seem to lend a bit more credence to the former's claim. That said, the bulk of the music is quite strong and still manages to convey a sombre feeling, despite these shortcomings. Here it is as a YouTube video: The cover art is a painting I created the first time I tried abstract painting. Become a Donor Donor badge, no ads + more benefits. I recorded and released a song called “Flickering Flames” in January. It was during this period, in 1995, that Jonas Renske joined forces with Fredrik Norrman to create October Tide. If you see it somewhere, do yourself a favor and pick it up. The only real complaint is the rotten production, but the strength of the material manages to overcome Swanö's idiocy. If you haven't got a favourite soundtrack for the autumn season yet, Rain Without End would be happy to do you a favour. It has always stumped me that all of Katatonia's mid-90s efforts were perfected not by Katatonia itself, but two of its members writing under another name. There's this warm and distant sound quality that subdues the heaviness of the riffs and drums, causing the melodies to have this soft ambient quality to them. The drums are perhaps a little static. Rain Without End Records has inked a deal with ENSHINE, a new death/doom project by Jari Lindholm, (guitar; ex-SLUMBER, ATOMA) and Sébastien Pierre (vocals; also in FRACTAL GATES, INBORN SUFFERING).The idea of Enshine was conceived … Reply Notify me Helpful [m106867] Master Release. The emotions we are dealing with this one are out of this world and that's the reason I love this so much. This is one of the better albums offered up by the Swedish death/doom scene during its early days and provides a lot of crossover appeal to fans of both traditional doom metal and anyone else looking for a consonant yet woeful melody to go with the stereotypical grunts and bellows typical to a death metal album. Riff after riff they manage bring something new and refreshing and they all fit together very well. The album was reissued on 10 November 2008. They are deeper growls and more affective than Jonas' previous attempts at harsh vocals, which could often become indecipherable and scratchy. In Splendor Below. By Steel Druhm on November 2, 2010 in 2010, 4.0, Candlelight, Death Metal, Doom Metal, Reviews, Swedish Metal, Death Metal, Doom Metal, 1 comment. I hate to harp on about this issue, but it is important. Although awfully similar to his performance on Katatonia's Dance of December Souls, Jonas' vocals are still strong and he delivers a purposeful performance, evoking tonnes of feelings and emotions with it. Least of which is not "12 Days of Rain", which opens in a grandiose, slow waterfall of stinging tears, a tale of hope and renewal. ‘’Blue Gallery’’ shows him at his most assertive - from the almost claustrophobic verses to its comprehensible chorus, each riff sounds vibrant and fluently leads unto the next one. swataverse. Although the album is similar, it does have small differences. Flow on this album is excellent, although it may seem a little bumpy at first, since the mood variations are sometimes quite big. dripping from the flowers. He instead uses a deeper and more jaded sounding grunt, which is submerged beneath the flow of the lead melodies. http://www.fromthedustreturned.com, With the break-up of Katatonia, following the release of For Funerals to Come, the members went their separate ways for a short time. The character of the riffs are actually somewhat reminiscent of the idiomatic Iron Maiden influence that was also incorporated by In Flames, though coming in a slower and more minimalist package. The tone of the guitars retains an essential depth and heaviness without robbing the sound of its spacey character, and also presents things in a methodical manner rather than just meandering about for extended periods of time (unlike say, Opeth). Of course the vocals are a great part of why this cd is one of the best in my collection. The album was reissued on 10 November 2008. Rather unsurprisingly October Tide remind me heavily of Katatonia during the 'Dance of December Souls' and 'Brave Murder Day' era. And much like the early works of those respective scenes, this is an album that isn't fully bogged down in an established orthodoxy, but rather moves quite naturally from one idea to the next without any regard of maintaining the always slow trappings of the later developed funeral doom style, all the while also taking care not to sound like an overt throwback to older days as Count Raven was during the same time period. Personally I like both albums for different reasons and and It would be silly to suggest that there aren’t any musical similarities to be found here. When the cd starts, your hearing is blasted with "12 days of rain". Rain Without End – Flickering Flames. Death & Doom Metal. That is where the medolic sound of the band is caused. “It would be 16th.” There is something about it that I find so oddly mellowing and therapeutic; I think of it as being the audial equivalent of waking up in a cozy warm bed on a bleak rainy morning. : Limited edition Label: Vic Records Format: CD Limitation: 1000 copies ... Awaiting the End of the... 89%: Noctir: April 28th, 2008: Read: Katatonia In Disguise? But honestly, how could this be improved on? Of course, these end with another, huge riff...it's a very simple chord progression, but when you stop and let it carry you, it catches up long after you finish listening. Anyone who is in love with doom metal and with Jonas his vocals should consider buying this cd. however, I'd call this an upgraded and more refined version of what Katatonia did during For Funerals to Come. 1996 was an extremely significant time in Sweden. Rain Without End is the first album by death/doom metal band October Tide. Review by fireaboveicebelow USER (107 Reviews) November 17th, 2008 | 42 replies. The music is perfect for the genre they play in. they were still treading on … They don't add much to the proceedings and this is a shame. One could quite easily be forgiven for mistaking this for a Katatonia full-length. "Ephemeral" follows, perkier until its own verse, in which another of the band's insanely catchy dual melodies rolls its melancholic tongue across your neck. Track List. In A RAIN WITHOUT END, the use of genre film serves as the backdrop for a discourse on the social changes in China at the end of the 90’s. That is not to say that the doom metal style that developed first in England and America was not brilliant in its exposition of sadness and fatalism, but there was something quite unique about the eventual merging of said sound with the wicked sensibilities of death metal that made for a more concentrated dose of melancholy. This is the only October Tide release with Jonas Renkse on vocals. The tempo reaches mid-paced 4/4 patterns at its absolute fastest, and this hurried-walking speed stays consistent throughout most of the songs. Rain without end I eat the breath Your flesh brings life I'm going to see I will never be clean again I fell asleep at the gate Tonight I feel that demon's hand Your blood that drains my head I eat the breath Your flesh brings me life I will never be clean again It's like burning myself real As touched upon before, October Tide create picturesque sounds using acoustics and harmonious guitars which play in tangent, all adding up to a beautiful blend of atmospheric masterpieces. This will vary your writing style. Naturmacht Productions stands for support, promotion and distribution of good quality music.

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